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A Night of Broadway

Friday, February 21, 2025

The Green Room: Zonya Love

A performing arts education may build a good foundation for a career in the limelight, but the act of learning never stops. From singing in church to manipulating a puppet on Avenue Q, Zonya Love believes every experience is an opportunity to learn and share with others. Currently appearing in Beetlejuice on Broadway, Love was one of the performers at the Academy’s inaugural gala in February.

“I do think outreach is important, especially when you can make opportunities available to those who may not have access,” she said. 

As a child born in the South, Love had no plans to be a performer. She enjoyed singing in church where she took part in shows at Easter and Christmas, but it wasn’t until she joined an after-school program that she started to think about her future. The program designed shows about bullying and violence aimed to help younger children.

“Growing up in the South we were going to be teachers, lawyers or preachers, there was no other vision,” she said. 

After speaking to a leader at a local music workshop, she toyed with the idea of becoming a vocal coach. What she didn’t know was that she would have had to have been able to sight read for that, so as she couldn’t, she came up with another plan.

“In the end I majored in theatre to come out of my shyness and thought I could learn to sight read at the same time,” she said.

In graduate school Love says she felt “othered.”

“I was not the status quo, not the person who they were considering at auditions,” she said.

When she was finally offered the part of Celie in the original Broadway production of The Color Purple, she began the process of self-love.

“Playing Celie was a very personal journey for me,” she said. “I’m from the South. Looking at the climate in our nation I remember experiencing racism. I didn’t have the confidence I would have liked. Celie is the perfect example of someone who needs to love themselves. It was one of the major takeaways for me.”

As a member of the first national tour of Avenue Q, Love learned a more practical skill – how to handle a puppet.

“They auditioned people with no puppetry experience and then sent me to puppet camp so I learned on the job,” she said. 

Love says she chooses roles based on what they can teach her.

“I’m always learning. I desire work where I can learn a new skill. I don’t like doing a job that doesn’t challenge me,” she said. “Now I’m in Beetlejuice. I play different characters. It’s part of the joy of being an artist.”

Love says there’s no one role she aspires to play.

“My goal is to do good work and reach my full potential,” she said. “I don’t think my perfect role has been created yet. The creator in me wants to be part of that.”

JULY 28 - AUGUST 1, 2025

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Justice Moore / Dance

JUSTICE MOORE is a New York based performer and choreographer. Growing up in Dallas, Texas, she trained in all styles at Next Step Dance Performing Arts Center. Upon graduating from Allen High School, she had the amazing opportunity to open Hamilton in Chicago as ‘The Bullet.’ She then went on to open the second national tour of the show and join the Broadway production. Moore had the honor to work on projects by Keone and Mari Madrid such as Once Upon a One More Time on Broadway and The Karate Kid: The Musical in St. Louis. She worked on seasons four and five of “The Marvelous Mrs. Maisel” with choreographer Marguerite Derricks. She made her movie debut in Disney+’ Better Nate Than Ever, directed by Tim Federle and choreographed by Zach Woodlee, and her television choreographic debut in CBS’ “East New York.” She was the associate choreographer for London’s Fangirls (under Ebony Williams) and New York City Center’s production of Jelly’s Last Jam (under Edgar Godineaux). Never limiting herself to one side of the dance industry, she continues to keep expanding her community, training, and possibilities. She performed with Doja Cat for MTV’s VMAs, Tyla for “The Late Show with Stephen Colbert,” and Stray Kids for the 2024 Youtube Brandcast. She is currently in Broadway’s Sunset Boulevard starring Nicole Scherzinger. Moore has captivated audiences online and off through her story telling, choreography, and comedy. She hopes to continue exploring the many ways dance and storytelling can connect with humans of all avenues. Instagram: @justicemoore_.

Samantha Pauly / Voice

Samantha Pauly is a Grammy nominated and Drama Desk Award winning actress best known for originating the role of Katherine Howard in SIX the Musical on Broadway. She was most recently seen starring as Jordan Baker in the premiere of The Great Gatsby at Papermill Playhouse. In the summer of 2019, Samantha was hand picked by Andrew Lloyd Webber and Jamie Lloyd to play Eva Peron in Regent’s Park Open Air Theatre’s critically acclaimed revival of Evita on the West End. The production went on to receive nominations and wins at The Evening Standard Theatre Awards, the WhatsOnStage Awards, and the Oliviers. After returning to the U.S., Samantha went on to tour with SIX the Musical and made stops at The Citadel Theatre, The Ordway Center for the Performing Arts before landing on Broadway in the early spring of 2020. She has starred in many regional productions including Mimi inRENT, Betsy in Honeymoon in Vegas, Eva Peron in Evita, Jovie in Elf the Musical, and Amber von Tussle in Hairspray, to name a few. In 2018, Samantha joined the first national tour of Jim Steinman’s Bat Out Of Hell as Valkyrie, before an abrupt cancellation. Soon after, she was cast as Katherine Howard in the US premiere of SIX the Musical at Chicago Shakespeare Theatre for which she received a Joseph Jefferson Award. She also tours and performs her solo cabaret An Evening with Samantha Pauly, and has performed in NYC, LA, Chicago, and more. Samantha’s TV credits include: Chicago PD (NBC), and ads for Mike’s Hard Lemonade, Purina, and T-Mobile. Since her journey with SIX began, Samantha has also been seen and reviewed in The New York Times, Vogue Magazine, The New York Post, The Associated Press, andthe Washington Post.

Kara Lindsay / Acting

KARA LINDSAY Broadway: Wicked (Glinda), Beautiful (Cynthia Weil), Newsies (Katherine Plumber) Original Cast/ Fathom Events Film, Once Upon a Mattress (Winnifred Standby for Sutton Foster). National Tour: Wicked (Glinda), Little House on the Prairie (originated role of Laura). Paper Mill Playhouse: Newsies, Jolly Holiday, Little House…Prairie. Sacramento Music Circus: Singin in the Rain (Kathy Selden). NCT: Mary Poppins (Mary Poppins). Kansas City Starlight: Cinderella (Cinderella). Kansas City Rep: Cabaret (Sally Bowles). 5th Avenue: Lone Star Love (Miss Ann Page). Geva: A Christmas Carol(Belle). Film: Wicked Movie Part One ensemble vocals. TV: “Murphy Brown”, ABC’s “Schoolhouse Rock! 50th Anniversary Singalong”, ABC’s “The Disney Family Singalong: Volume II”, Tony Awards, Macy’s Thanksgiving Day Parade. BFA Carnegie Mellon University. Huge thanks and LOVE to my family and to Stewart Talent/ Amplified. @karalindsay1

Maggie Spanuello / Casting

MAGGIE SPANUELLO (she/her/hers) works at Gray Talent Group as an Associate Agent on the Chicago On-Camera and Voiceover team after working as a director and music theatre educator for ten years in Chicago, Off-Broadway, regionally, and internationally. Selected credits include work at Chicago Shakespeare Theatre, Windy City Playhouse, Milwaukee Repertory Theatre, Brightside Theatre, and Hope Summer Repertory. She was the Associate Director on the award-winning Off-Broadway Production of THE WOMAN IN BLACK (“Best Play Revival”-Off-Broadway Alliance Awards, “Critic’s Pick”-NY Times) and the US Tour (Royal George Theatre, Cleveland Play House, Pasadena Playhouse, Seattle Rep, American Conservatory Theatre) directed by Robin Herford.

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JULY 28 - AUGUST 1, 2025

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