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IMPACT: Musical Theater

July 28 - August 1

Arts Education Creates a Competitive Advantage in Business

Arts Education Creates a Competitive Advantage in Business

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Arts Education Business Advantage: The Edge Companies Are Looking For

As industries evolve and the global economy shifts, businesses are no longer just seeking technical specialists. They need adaptable, emotionally intelligent, and creative thinkers who can lead teams, solve complex problems, and foster innovation. Increasingly, companies are discovering the arts education business advantage—the distinct set of leadership skills that performing arts students bring into the workplace.

At Illinois Conservatory for the Arts, students experience a fully integrated arts education that prepares them not only for artistic excellence but for leadership success across industries.

The Core of the Arts Education Business Advantage

Innovation and Creative Problem Solving

Arts education requires students to approach problems with flexibility and original thinking. Whether interpreting a character, choreographing a dance, or designing a stage production, students learn to explore multiple solutions, evaluate different perspectives, and adapt quickly.

According to the World Economic Forum, creativity, originality, and initiative rank among the most in-demand skills for the modern workforce. As automation advances, creative problem solving will remain a uniquely human advantage.

Emotional Intelligence and Empathy

In the performing arts, students constantly engage with human emotion, character development, and audience connection. This work strengthens their capacity for empathy and emotional intelligence—skills essential for effective leadership, conflict resolution, and organizational health.

The Harvard Business Review identifies emotional intelligence as one of the top predictors of leadership success and overall organizational performance.

Adaptability Under Pressure

Live performance is unpredictable. Students must handle last-minute changes, unexpected challenges, and high-pressure situations with grace and composure. These experiences develop resilience, confidence, and an ability to thrive in fast-changing environments.

Research from McKinsey highlights that adaptive leadership is becoming one of the most sought-after capabilities in today’s business leaders.

Business Leaders Benefiting from an Arts Foundation

Satya Nadella: From Theater Enthusiast to CEO of Microsoft

Satya Nadella, CEO of Microsoft, developed a strong appreciation for storytelling and communication during his education, which included exposure to drama and public speaking. His leadership style reflects many of the skills found in the performing arts—empathy, adaptability, and clear communication.

Andrea Wong: From Orchestra Student to Former CEO of Lifetime Networks

Andrea Wong, who once studied piano and violin in her youth, went on to lead Lifetime Networks and hold executive roles at Sony International. She credits her arts training with helping her develop patience, discipline, and the ability to perform under pressure.

Richard Plepler: From English Major to CEO of HBO

Richard Plepler, former CEO of HBO, studied English and was heavily involved in creative work before leading one of the most successful entertainment networks in the world. His background in storytelling and the arts shaped HBO’s groundbreaking content strategy during his tenure.

Doug Parker: From Drama Student to Former CEO of American Airlines

Doug Parker, former CEO of American Airlines, studied theater during his time at Albion College. The communication, stage presence, and adaptability learned through drama helped him navigate complex negotiations and high-pressure leadership roles in the airline industry.

Research Supporting the Arts Education Business Advantage

A growing body of data confirms that the skills developed through arts education directly align with leadership competencies.

A report from the National Endowment for the Arts found that individuals with strong arts backgrounds demonstrate higher civic engagement, leadership participation, and career achievement across diverse industries.

The World Economic Forum’s Future of Jobs Report continues to rank emotional intelligence, creativity, and complex problem solving as critical for workforce readiness.

In a LinkedIn Workplace Learning Report, creativity is consistently ranked as the number one skill employers seek in new hires.

How Illinois Conservatory for the Arts Develops These Leadership Skills

At Illinois Conservatory for the Arts, arts integration serves as a leadership laboratory. Students are not only developing technical proficiency in their disciplines—they are mastering real-world business skills.

Collaborative Project Management

From rehearsals to full productions, students manage schedules, negotiate creative visions, and work in teams, mirroring corporate project cycles.

Public Speaking and Presentation Skills

Frequent performances give students valuable experience speaking in front of audiences, managing nerves, and commanding attention—key skills in business leadership.

Multidisciplinary Thinking

By working across music, dance, theater, and technical design, students gain experience navigating diverse perspectives and leading cross-functional teams.

Problem Solving in Real-Time

Live performances demand quick thinking and immediate solutions to unexpected challenges. This fosters the ability to think critically and make decisions under pressure.

Industry Partnerships and Mentorship

Through ICA’s partnerships and professional collaborations, students gain early exposure to real-world expectations, industry leadership, and stakeholder management.

Actionable Takeaways for Students and Families

  1. Arts students should pursue opportunities to lead productions or manage creative teams.

  2. Cross-training in multiple arts disciplines enhances adaptability and broadens leadership capacity.

  3. Students should confidently present their arts experience as valuable leadership preparation when applying to colleges, internships, or jobs.

The Long-Term Value of the Arts Education Business Advantage

In an economy increasingly defined by complexity, rapid change, and global competition, companies are recognizing that technical skills alone are not enough. The arts education business advantage delivers graduates who are creative, emotionally intelligent, adaptable, and highly capable of leading diverse teams.

At Illinois Conservatory for the Arts, our students are building far more than artistic skill—they are developing the leadership competencies that business leaders across industries now view as essential. Through arts integration, ICA is preparing students to succeed in any professional path they pursue.

Illinois Conservatory for the Arts
The Illinois Conservatory for the Arts (ICA) is an independent, nonprofit arts institution dedicated to empowering the next generation of artists through rigorous, pre-professional training in the performing arts. Located in Naperville, Illinois, ICA offers a unique blend of high-level arts instruction and academic excellence, serving middle and high school students from a wide geographic region. With a core commitment to creativity, inclusion, and access, ICA provides year-round programming—including intensive summer training, after-school courses, and masterclasses led by renowned industry professionals in musical theatre, dance, and beyond. Over 50% of ICA students receive financial assistance, reflecting the organization’s mission to make high-quality arts education accessible to all talented young artists, regardless of background. With plans to launch a full-time day school in Fall 2026, ICA continues to grow as a transformative force in arts education, building a vibrant and diverse community of students who are prepared to lead, perform, and create with confidence and purpose.

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JULY 28 - AUGUST 1, 2025

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Justice Moore / MUSICAL THEATRE

JUSTICE MOORE is a New York based performer and choreographer. Growing up in Dallas, Texas, she trained in all styles at Next Step Dance Performing Arts Center. Upon graduating from Allen High School, she had the amazing opportunity to open Hamilton in Chicago as ‘The Bullet.’ She then went on to open the second national tour of the show and join the Broadway production. Moore had the honor to work on projects by Keone and Mari Madrid such as Once Upon a One More Time on Broadway and The Karate Kid: The Musical in St. Louis. She worked on seasons four and five of “The Marvelous Mrs. Maisel” with choreographer Marguerite Derricks. She made her movie debut in Disney+’ Better Nate Than Ever, directed by Tim Federle and choreographed by Zach Woodlee, and her television choreographic debut in CBS’ “East New York.” She was the associate choreographer for London’s Fangirls (under Ebony Williams) and New York City Center’s production of Jelly’s Last Jam (under Edgar Godineaux). Never limiting herself to one side of the dance industry, she continues to keep expanding her community, training, and possibilities. She performed with Doja Cat for MTV’s VMAs, Tyla for “The Late Show with Stephen Colbert,” and Stray Kids for the 2024 Youtube Brandcast. She is currently in Broadway’s Sunset Boulevard starring Nicole Scherzinger. Moore has captivated audiences online and off through her story telling, choreography, and comedy. She hopes to continue exploring the many ways dance and storytelling can connect with humans of all avenues. Instagram: @justicemoore_.

PRINCE NII / HIP HOP

PRINCE NII is an award winning dancer, actor and choreographer from Vancouver, Canada. With a unique style that blends versatility and creativity, Prince has become a source of inspiration for artists across the globe. His work has been featured in major productions for Disney, Netflix, Apple, CBS, NBC, and more, showcasing his exceptional talent and dedication to his craft.

He travels worldwide teaching multiple dance styles including Modern Afro Dance, Hip Hop, Jazz Funk and other Street Styles, and teaches at Harbour Dance Centre and A3 District locally in Vancouver. His goal is to spread the knowledge and culture of the African Diaspora so that in educating others about the past we can strengthen our present and build a better tomorrow.

CRAIG D. BLACK JR. / CONTEMPORARY

Craig D. Black Jr. from San Jose, CA is a dancer, educator, stager, and the Rehearsal Director of Hubbard Street Dance Chicago. He was appointed to this role in 2022 for the company’s 45th Anniversary: Sapphire Season. 

At the age of ten Craig began dancing at South Bay Dance Center and continued his dance training at Abraham Lincoln High School for the Performing and Visual Arts. In 2011, Craig received his BFA from The Juilliard School. He obtained additional training at Springboard Danse Montréal, Nederlands Dans Theater, and the School at Jacob’s Pillow. Craig is a recipient of the 2010 Princess Grace Award in Dance as well as the 2011 Lorna Strassler Award for Student Excellence from the School at Jacob’s Pillow. 

For six seasons Craig performed and toured with Aspen Santa Fe Ballet under the direction of Tom Mossbrucker and Jean-Philippe Malaty. In 2017, Craig joined Hubbard Street Dance Chicago where he danced for five seasons before transitioning into the HSDC Rehearsal Director position. Now in his third season as rehearsal director, Craig has been a guest artist with HSDC, a guest rehearsal director for FLOCK, and a stager for Alejandro Cerrudo. He has had the privilege of dancing works by Kyle Abraham, Aszure Barton, Cherice Barton, Rena Butler, Alejandro Cerrudo, Peter Chu, Nacho Duato, Jorma Elo, William Forsythe, Rennie Harris, Johan Inger, Jirí Kylián, Fernando Melo, Robyn Mineko-Williams, Ohad Naharin, Crystal Pite, and Cayetano Soto Ramirez among many others. 

Craig has had the pleasure of co-choreographing and rehearsal directing Cardi B and Offset’s 2019 BET Awards performance as well as assisting Robyn Mineko-Williams with the official music video for Sen Morimoto’s Pressure on the Pulse. 

Craig is a passionate teacher and mentor. He is certified in IMAGE TECH for Dancers introductory through advanced level. He has been a guest company class instructor for DanceAspen, Giordano Dance Chicago, and South Chicago Dance Theatre. Additionally, Craig is on faculty for Dupree Dance and has served as guest faculty for the Hubbard Street Professional Program, The Joffrey Academy, New York City Dance Alliance, Peridance Center, and Steps on Broadway.

KATLIN MICHAEL BOURGEOIS / BALLET

Katlin Michael Bourgeois (they/them) began dancing in their hometown of Gonzales, Louisiana. They graduated from Alonzo King LINES Ballet Training Program in 2014 and began a dancing career that allowed them to dance with Dance Theatre of San Francisco, DanceWorks Chicago, FLOCK Works, Hubbard Street 2, M/Motions, The Cambrians, and others.  Katlin started their own project dance company, “Ensemble180,” in 2018 and has been an active performer, choreographer, and educator internationally for almost a decade. In 2022 they spearheaded and took leadership of Contemporary Ballet Trainee Program at The Grainger Academy of The Joffrey Ballet, and in 2023 was named “Best Emerging Voice in Dance” by Chicago Magazine. Katlin brings a unique perspective and approach to dance training, and a philosophy that asks dancers to tap into rigor, technical prowess, creativity, and a love for dance.

JONNO VETSICH / MOCK AUDITIONS

Originally from Australia, Jonno’s career as an entertainment professional spans over 25 years and has allowed him to explore six of seven continents. He studied Dance & Musical Theater at Brent Street Studios in Sydney before heading overseas to work for Disney, Royal Caribbean & on the Las Vegas Strip. Favorite credits include, Hairspray, Chicago, Tokyo Disney, Mamma Mia!, Vegas! the Show, The Donnie & Marie Show and The 66th Annual Tony Awards. 

While performing for Royal Caribbean he realized a passion for leadership and progressed to the roles of Dance Captain and Company Manager. This experience led him to work as a New Build Production Assistant and Audition Choreographer before joining their Casting Team. In his current role, Sr. Specialist, Casting Dancers & Featured Artists, he is jointly responsible for casting over 300 dancers annually and also supports Musical casting operations. He has a passion for educating and inspiring future entertainment leaders and is committed to recruiting, developing & retaining talent. His passions beyond the arts include travel and other languages.

NICOLE CLARKE-SPRINGER / MOCK AUDITIONS

Nicole Clarke-Springer began formal training under the guidance of Claudette Soltis (Ballet Russe de Monte Carlo and Joliet Ballet Society) and the Indianapolis Ballet Theatre under Dace Diodonis. She received her B.S. in arts administration-dance from Butler University in Indianapolis, where she was honored as Butler Ballet’s Outstanding Performer.

Shortly after graduating from Butler, Clarke-Springer found her dance home within the Deeply Rooted Dance Theater family—first as an apprentice and later as company member. As a member of DRDT, she had the opportunity to perform with Roberta Flack in Kevin Iega Jeff’s Flack, as well as Jennifer Holiday in the world-renowned Penumbra Theatre’s Black Nativity. She briefly left the company in 2007 to serve as adjunct professor in Western Kentucky University’s Dance Department. While there, she was asked to join the Clifton Brown Dance Company, performing on its tour to Istanbul, Turkey. The same year, Clarke-Springer returned to the Deeply family as program director of its Summer Dance Intensive. During this time, she began deepening her choreographic voice, creating and later setting works including Nine, Dounia, and Femme for the main and second companies. She also served as assistant choreographer to Kevin Iega Jeff for Congo Square Theatre’s Nativity for two years.

In 2013, Clarke-Springer joined Kevin Iega Jeff and Gary Abbott as the newest member of the Deeply Rooted Artistic Team and was named Deeply Rooted Dance Theater’s Emerging Choreographer for the program “Generations.” Among the critical responses to her work Hadiya were these thoughts from Lynn Colburn Shapiro, See Chicago Dance:  “a poignant memorial tribute…filled with…ritualistic gestures [that] carry a ceremonial theme…a living eulogy not only for the slain Hadiya Pendleton, but for all children who have lost their lives to violence.” 

In August 2015, she traveled with Deeply Rooted to participate in JOMBA! Dance Festival hosted by Flatfoot Dance Company, where she set her ballet Until Lambs Become Lions on the host company.

In 2016, Clarke-Springer choreographed the opening number for the nationally syndicated Steve Harvey Show- Halloween Celebration. She teaches and choreographs throughout the country and has been on faculty as an adjunct professor at Chicago State University and Western Kentucky University and is currently on staff at Northwestern University.

Crediting Deeply Rooted’s mission, Clarke-Springer works to create an environment where artists participate in a process that is not only spiritually affirming but requires open and honest dialogue that leads to self-reflection, constructive feedback, and accountability to the work required. She was appointed Artistic Director of Deeply Rooted Dance Theater in September 2019.

impact dance

JULY 28 - AUGUST 1, 2025

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IMPACT is popular and fills up fast! You'll be forwarded to the registration form to grab your spot.

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Join our mailing list to receive the latest news, upcoming events, and exciting updates from the Illinois Conservatory for the Arts. Be the first to learn about performances, student achievements, and opportunities to support our mission of empowering young artists through innovative arts education.

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Illinois Conservatory for the Arts is a 501c3 not-for-profit arts institution. Your support provides high-level arts experiences for students in the Chicagoland area.

Sarah Meahl / Dance

Sarah Meahl (she/her) is a multihyphenate Broadway Dancer/Choreographer/Teacher in the New York City Dance Community. Sarah is currently in the ensemble of Death Becomes Her (OBC). Her other Broadway Credits include Hello,Dolly!Kiss Me, Kate!Bad Cinderella (OBC), and Cirque Du Soleil’s Paramour (OBC). She has 5 off Broadway Credits, a tour, and has played her way through the Regions. She has appeared on TV in Disney Commercials, Haunting Evidence: The Natalie Holloway Story, The 90th and 98th Macys Thanksgiving Day Parade, the 72nd Tony Awards, The Today Show & The Tonight Show with Jimmy Fallon. You can catch her in the Warner Bros Rom-Com “Isn’t it Romantic”

Sarah recently made her choreographic Broadway debut with Trisha Paytas’ Big Broadway Dream! Her New York Choreo credits include I Put A Spell on You Live 2023, 2023 Easter Bonnet Competition (dir/chor). She also directed and choreographed 2 of Hershey Park’s main stage shows in 2024, as well as choreographing.

Sarah Teaches her “Meahl In Heels” class at Broadway Dance Center. She spent time on Faculty at The Joffrey School & Institute of American Musical Theatre. She’s served as Dance Director for Broadway Artists Alliance since 2019, and has taught master classes & sets shows/production numbers for multiple universities, dance studios and Dance Conventions all across America. She graduated Magna cum laude from Point Park University, receiving a Bachelor of Arts in Musical Theatre, with a minor in Dance (jazz emphasis).

Laduca shoes recently released a shoe in Sarah’s honor: “The Showstopper”, sarahmeahl.com @happymeahl

Samantha Pauly / Voice

Samantha Pauly is a Grammy nominated and Drama Desk Award winning actress best known for originating the role of Katherine Howard in SIX the Musical on Broadway. She was most recently seen starring as Jordan Baker in the premiere of The Great Gatsby at Papermill Playhouse. In the summer of 2019, Samantha was hand picked by Andrew Lloyd Webber and Jamie Lloyd to play Eva Peron in Regent’s Park Open Air Theatre’s critically acclaimed revival of Evita on the West End. The production went on to receive nominations and wins at The Evening Standard Theatre Awards, the WhatsOnStage Awards, and the Oliviers. After returning to the U.S., Samantha went on to tour with SIX the Musical and made stops at The Citadel Theatre, The Ordway Center for the Performing Arts before landing on Broadway in the early spring of 2020. She has starred in many regional productions including Mimi inRENT, Betsy in Honeymoon in Vegas, Eva Peron in Evita, Jovie in Elf the Musical, and Amber von Tussle in Hairspray, to name a few. In 2018, Samantha joined the first national tour of Jim Steinman’s Bat Out Of Hell as Valkyrie, before an abrupt cancellation. Soon after, she was cast as Katherine Howard in the US premiere of SIX the Musical at Chicago Shakespeare Theatre for which she received a Joseph Jefferson Award. She also tours and performs her solo cabaret An Evening with Samantha Pauly, and has performed in NYC, LA, Chicago, and more. Samantha’s TV credits include: Chicago PD (NBC), and ads for Mike’s Hard Lemonade, Purina, and T-Mobile. Since her journey with SIX began, Samantha has also been seen and reviewed in The New York Times, Vogue Magazine, The New York Post, The Associated Press, andthe Washington Post.

Kara Lindsay / Acting

KARA LINDSAY Broadway: Wicked (Glinda), Beautiful (Cynthia Weil), Newsies (Katherine Plumber) Original Cast/ Fathom Events Film, Once Upon a Mattress (Winnifred Standby for Sutton Foster). National Tour: Wicked (Glinda), Little House on the Prairie (originated role of Laura). Paper Mill Playhouse: Newsies, Jolly Holiday, Little House…Prairie. Sacramento Music Circus: Singin in the Rain (Kathy Selden). NCT: Mary Poppins (Mary Poppins). Kansas City Starlight: Cinderella (Cinderella). Kansas City Rep: Cabaret (Sally Bowles). 5th Avenue: Lone Star Love (Miss Ann Page). Geva: A Christmas Carol(Belle). Film: Wicked Movie Part One ensemble vocals. TV: “Murphy Brown”, ABC’s “Schoolhouse Rock! 50th Anniversary Singalong”, ABC’s “The Disney Family Singalong: Volume II”, Tony Awards, Macy’s Thanksgiving Day Parade. BFA Carnegie Mellon University. Huge thanks and LOVE to my family and to Stewart Talent/ Amplified. @karalindsay1

Brittainy Barattia / Casting

Brittainy joined Gray Talent Group in July of 2015. She now heads up the midwest on camera department for commercials, tv, and film, as well as the VO department across the US. After earning degrees in Theatre Arts and Psychology from the University of Iowa, she began her career in theatre, working in the fields of fundraising and production and stage management. In tandem with her work in the field of performing arts, Brittainy worked in the aviation industry, during which time she learned that there truly is no place like sweet home Chicago. Brittainy is delighted to be part of the performing arts community and is thrilled to help showcase the amazing talents of the actors at Gray Talent Group.

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impact MT

JULY 28 - AUGUST 1, 2025

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IMPACT is popular and fills up fast! You'll be forwarded to the registration form to grab your spot.