Naperville, IL

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Same Programming, New Name! Academy of the Arts is now Illinois Conservatory for the Arts

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IMPACT: Musical Theater

July 28 - August 1

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IMPACT: Dance

July 28 - August 1

Naperville is known for its rich, artistic culture, with outlets for theater, fine arts, and music alike. However, for those looking for training in the performance arts, the closest options reside in the city. Enter the Academy of the Arts — a nonprofit educational institution that serves the Naperville area, coupling high-level arts and high-achieving academics. With a diverse portfolio of classes in dance, theater, and music, the aim to is offer quality programming worthy of big city recognition.

“We offer programs in visual arts, media arts, music, dance, theater, and technical theater. Our teachers are a combination of local arts professionals, national arts professionals, collegiate faculty, as well as highly qualified educators. Our students need to learn from a variety of perspectives to be able to truly have a well-rounded arts education,” said Executive Director and Co-Founder Dylan Ladd.

The Studio is the Academy’s evening and weekend program for adults and children that offers four 10-week sessions each year. Classes beginning October 25 include ballet, jazz, songwriting, voice, theater design, and acting. The Academy’s summer program, IMPACT, is for students ages 10–18 and provides training in Broadway masterclasses: dance, acting, and voice. And, finally, the jewel in the crown, the Academy’s K-12 day school that will start its pilot in Fall 2023.

Ladd explained that in starting the Academy, the mission was clear — to provide career-specific training that is often hard to hone in a traditional public school setting.  “As public schools work to support the needs of as many students as possible, it becomes very difficult to provide career-specific training. In the arts, there are many skills that students can begin working on at a very young age, but they do not receive these resources in most schools. By specializing our curriculum, we have the opportunity to offer classes that students might not see elsewhere such as music technology or ballet.”

With only one other independent arts high school (located in Chicago), the proximity limitation for suburban kids was tangible. The Academy will strike a balance between academics and arts to create well rounded students ready to tackle this competitive field without the hour-long commute.
“One way we plan to achieve our goals is through the incorporation of Arts Integration, where our teachers take standards from arts subjects as well as core subjects and teach both in the same lesson. An example that I love to share is one that my Co-Founder, Julie Hindenburg, uses in her 8th grade language arts class. Julie’s students work on narrative writing by creating and producing their own stage play. They also direct and perform their works for their peers, taking theater and language arts standards and placing them in the same lesson plans.”
Much research and logistics went into conceptualizing this unique Academy and choosing Naperville as its hub. The brainchild of three educators determined to create something different for young artists, the Academy sprung from an in-depth examination of needs. In Spring 2021, the team hired a consultant firm Connor Associates to complete a ‘location feasibility study.’ They looked at all of Illinois and Wisconsin to see where this type of school could find the most success. Ladd shared, “After researching locations with families that support the arts, high-growth rates in student populations, access to higher education, and great public transit, Naperville was the number one city in their study. In fact, they identified over 170,000 families in a 45-minute radius around Naperville that checked all of those boxes.”
The success that the students at the Academy have found this summer during the IMPACT Summer Series speaks for itself. Some of the biggest Broadway names trained students in dance, acting, and vocals. Students concluded the program with a field trip to see a Broadway show and a student performance for family and friends.
It was there that participant Layla Cummings was given the opportunity to audition for a Broadway show based on her performance. Her mother Laura recalls, “The theatre community is so special, and this group seemed to bond very quickly. Layla loved learning from the Broadway talent, especially Erica Henningsen. To have a chance to sing in front of her was incredible, and she truly gave Layla notes that improved her audition song. Finally, the experience with Merri Sugarman was a dream come true. We signed up for the camp in part because of Merri’s amazing background and reputation, and we knew she would give Layla really important insight and feedback. We never dreamed she might actually scout Layla and ask her to go to New York City to audition for a national tour, but that is what happened. Due to IMPACT, Layla got to go to New York and audition for the national tour of Les Misérables. We’re blown away that Merri is keeping Layla in mind for future opportunities, and Layla had a truly dream-come-true first time going to New York City. The Academy is connected to legitimate talent in the theatre industry. The experience, role models, and talent they bring is invaluable to area kids who are interested in theatre as a career.”
The Academy is actively fundraising to build its state-of-the-art academic and arts school with 50 classrooms. Having a direct connection with the professional arts world is important to the Academy’s mission, which is why they brought in a brilliant team of Artistic Advisors including Alex Lacamoire (Music Director and Orchestrator for Hamilton/In the Heights) and Taylor Dayne (Pop Star). Taylor Dayne is joining the Academy for a special event in Naperville on Friday, February 10th to support Academy of the Arts. Tickets are on sale now at IllinoisArtsAcademy.org/taylordayne.

Justice Moore / MUSICAL THEATRE

JUSTICE MOORE is a New York based performer and choreographer. Growing up in Dallas, Texas, she trained in all styles at Next Step Dance Performing Arts Center. Upon graduating from Allen High School, she had the amazing opportunity to open Hamilton in Chicago as ‘The Bullet.’ She then went on to open the second national tour of the show and join the Broadway production. Moore had the honor to work on projects by Keone and Mari Madrid such as Once Upon a One More Time on Broadway and The Karate Kid: The Musical in St. Louis. She worked on seasons four and five of “The Marvelous Mrs. Maisel” with choreographer Marguerite Derricks. She made her movie debut in Disney+’ Better Nate Than Ever, directed by Tim Federle and choreographed by Zach Woodlee, and her television choreographic debut in CBS’ “East New York.” She was the associate choreographer for London’s Fangirls (under Ebony Williams) and New York City Center’s production of Jelly’s Last Jam (under Edgar Godineaux). Never limiting herself to one side of the dance industry, she continues to keep expanding her community, training, and possibilities. She performed with Doja Cat for MTV’s VMAs, Tyla for “The Late Show with Stephen Colbert,” and Stray Kids for the 2024 Youtube Brandcast. She is currently in Broadway’s Sunset Boulevard starring Nicole Scherzinger. Moore has captivated audiences online and off through her story telling, choreography, and comedy. She hopes to continue exploring the many ways dance and storytelling can connect with humans of all avenues. Instagram: @justicemoore_.

PRINCE NII / HIP HOP

PRINCE NII is an award winning dancer, actor and choreographer from Vancouver, Canada. With a unique style that blends versatility and creativity, Prince has become a source of inspiration for artists across the globe. His work has been featured in major productions for Disney, Netflix, Apple, CBS, NBC, and more, showcasing his exceptional talent and dedication to his craft.

He travels worldwide teaching multiple dance styles including Modern Afro Dance, Hip Hop, Jazz Funk and other Street Styles, and teaches at Harbour Dance Centre and A3 District locally in Vancouver. His goal is to spread the knowledge and culture of the African Diaspora so that in educating others about the past we can strengthen our present and build a better tomorrow.

CRAIG D. BLACK JR. / CONTEMPORARY

Craig D. Black Jr. from San Jose, CA is a dancer, educator, stager, and the Rehearsal Director of Hubbard Street Dance Chicago. He was appointed to this role in 2022 for the company’s 45th Anniversary: Sapphire Season. 

At the age of ten Craig began dancing at South Bay Dance Center and continued his dance training at Abraham Lincoln High School for the Performing and Visual Arts. In 2011, Craig received his BFA from The Juilliard School. He obtained additional training at Springboard Danse Montréal, Nederlands Dans Theater, and the School at Jacob’s Pillow. Craig is a recipient of the 2010 Princess Grace Award in Dance as well as the 2011 Lorna Strassler Award for Student Excellence from the School at Jacob’s Pillow. 

For six seasons Craig performed and toured with Aspen Santa Fe Ballet under the direction of Tom Mossbrucker and Jean-Philippe Malaty. In 2017, Craig joined Hubbard Street Dance Chicago where he danced for five seasons before transitioning into the HSDC Rehearsal Director position. Now in his third season as rehearsal director, Craig has been a guest artist with HSDC, a guest rehearsal director for FLOCK, and a stager for Alejandro Cerrudo. He has had the privilege of dancing works by Kyle Abraham, Aszure Barton, Cherice Barton, Rena Butler, Alejandro Cerrudo, Peter Chu, Nacho Duato, Jorma Elo, William Forsythe, Rennie Harris, Johan Inger, Jirí Kylián, Fernando Melo, Robyn Mineko-Williams, Ohad Naharin, Crystal Pite, and Cayetano Soto Ramirez among many others. 

Craig has had the pleasure of co-choreographing and rehearsal directing Cardi B and Offset’s 2019 BET Awards performance as well as assisting Robyn Mineko-Williams with the official music video for Sen Morimoto’s Pressure on the Pulse. 

Craig is a passionate teacher and mentor. He is certified in IMAGE TECH for Dancers introductory through advanced level. He has been a guest company class instructor for DanceAspen, Giordano Dance Chicago, and South Chicago Dance Theatre. Additionally, Craig is on faculty for Dupree Dance and has served as guest faculty for the Hubbard Street Professional Program, The Joffrey Academy, New York City Dance Alliance, Peridance Center, and Steps on Broadway.

KATLIN MICHAEL BOURGEOIS / BALLET

Katlin Michael Bourgeois (they/them) began dancing in their hometown of Gonzales, Louisiana. They graduated from Alonzo King LINES Ballet Training Program in 2014 and began a dancing career that allowed them to dance with Dance Theatre of San Francisco, DanceWorks Chicago, FLOCK Works, Hubbard Street 2, M/Motions, The Cambrians, and others.  Katlin started their own project dance company, “Ensemble180,” in 2018 and has been an active performer, choreographer, and educator internationally for almost a decade. In 2022 they spearheaded and took leadership of Contemporary Ballet Trainee Program at The Grainger Academy of The Joffrey Ballet, and in 2023 was named “Best Emerging Voice in Dance” by Chicago Magazine. Katlin brings a unique perspective and approach to dance training, and a philosophy that asks dancers to tap into rigor, technical prowess, creativity, and a love for dance.

JONNO VETSICH / MOCK AUDITIONS

Originally from Australia, Jonno’s career as an entertainment professional spans over 25 years and has allowed him to explore six of seven continents. He studied Dance & Musical Theater at Brent Street Studios in Sydney before heading overseas to work for Disney, Royal Caribbean & on the Las Vegas Strip. Favorite credits include, Hairspray, Chicago, Tokyo Disney, Mamma Mia!, Vegas! the Show, The Donnie & Marie Show and The 66th Annual Tony Awards. 

While performing for Royal Caribbean he realized a passion for leadership and progressed to the roles of Dance Captain and Company Manager. This experience led him to work as a New Build Production Assistant and Audition Choreographer before joining their Casting Team. In his current role, Sr. Specialist, Casting Dancers & Featured Artists, he is jointly responsible for casting over 300 dancers annually and also supports Musical casting operations. He has a passion for educating and inspiring future entertainment leaders and is committed to recruiting, developing & retaining talent. His passions beyond the arts include travel and other languages.

NICOLE CLARKE-SPRINGER / MOCK AUDITIONS

Nicole Clarke-Springer began formal training under the guidance of Claudette Soltis (Ballet Russe de Monte Carlo and Joliet Ballet Society) and the Indianapolis Ballet Theatre under Dace Diodonis. She received her B.S. in arts administration-dance from Butler University in Indianapolis, where she was honored as Butler Ballet’s Outstanding Performer.

Shortly after graduating from Butler, Clarke-Springer found her dance home within the Deeply Rooted Dance Theater family—first as an apprentice and later as company member. As a member of DRDT, she had the opportunity to perform with Roberta Flack in Kevin Iega Jeff’s Flack, as well as Jennifer Holiday in the world-renowned Penumbra Theatre’s Black Nativity. She briefly left the company in 2007 to serve as adjunct professor in Western Kentucky University’s Dance Department. While there, she was asked to join the Clifton Brown Dance Company, performing on its tour to Istanbul, Turkey. The same year, Clarke-Springer returned to the Deeply family as program director of its Summer Dance Intensive. During this time, she began deepening her choreographic voice, creating and later setting works including Nine, Dounia, and Femme for the main and second companies. She also served as assistant choreographer to Kevin Iega Jeff for Congo Square Theatre’s Nativity for two years.

In 2013, Clarke-Springer joined Kevin Iega Jeff and Gary Abbott as the newest member of the Deeply Rooted Artistic Team and was named Deeply Rooted Dance Theater’s Emerging Choreographer for the program “Generations.” Among the critical responses to her work Hadiya were these thoughts from Lynn Colburn Shapiro, See Chicago Dance:  “a poignant memorial tribute…filled with…ritualistic gestures [that] carry a ceremonial theme…a living eulogy not only for the slain Hadiya Pendleton, but for all children who have lost their lives to violence.” 

In August 2015, she traveled with Deeply Rooted to participate in JOMBA! Dance Festival hosted by Flatfoot Dance Company, where she set her ballet Until Lambs Become Lions on the host company.

In 2016, Clarke-Springer choreographed the opening number for the nationally syndicated Steve Harvey Show- Halloween Celebration. She teaches and choreographs throughout the country and has been on faculty as an adjunct professor at Chicago State University and Western Kentucky University and is currently on staff at Northwestern University.

Crediting Deeply Rooted’s mission, Clarke-Springer works to create an environment where artists participate in a process that is not only spiritually affirming but requires open and honest dialogue that leads to self-reflection, constructive feedback, and accountability to the work required. She was appointed Artistic Director of Deeply Rooted Dance Theater in September 2019.

JULY 28 - AUGUST 1, 2025

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IMPACT is popular and fills up fast! You'll be forwarded to the registration form to grab your spot.

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Justice Moore / Dance

JUSTICE MOORE is a New York based performer and choreographer. Growing up in Dallas, Texas, she trained in all styles at Next Step Dance Performing Arts Center. Upon graduating from Allen High School, she had the amazing opportunity to open Hamilton in Chicago as ‘The Bullet.’ She then went on to open the second national tour of the show and join the Broadway production. Moore had the honor to work on projects by Keone and Mari Madrid such as Once Upon a One More Time on Broadway and The Karate Kid: The Musical in St. Louis. She worked on seasons four and five of “The Marvelous Mrs. Maisel” with choreographer Marguerite Derricks. She made her movie debut in Disney+’ Better Nate Than Ever, directed by Tim Federle and choreographed by Zach Woodlee, and her television choreographic debut in CBS’ “East New York.” She was the associate choreographer for London’s Fangirls (under Ebony Williams) and New York City Center’s production of Jelly’s Last Jam (under Edgar Godineaux). Never limiting herself to one side of the dance industry, she continues to keep expanding her community, training, and possibilities. She performed with Doja Cat for MTV’s VMAs, Tyla for “The Late Show with Stephen Colbert,” and Stray Kids for the 2024 Youtube Brandcast. She is currently in Broadway’s Sunset Boulevard starring Nicole Scherzinger. Moore has captivated audiences online and off through her story telling, choreography, and comedy. She hopes to continue exploring the many ways dance and storytelling can connect with humans of all avenues. Instagram: @justicemoore_.

Samantha Pauly / Voice

Samantha Pauly is a Grammy nominated and Drama Desk Award winning actress best known for originating the role of Katherine Howard in SIX the Musical on Broadway. She was most recently seen starring as Jordan Baker in the premiere of The Great Gatsby at Papermill Playhouse. In the summer of 2019, Samantha was hand picked by Andrew Lloyd Webber and Jamie Lloyd to play Eva Peron in Regent’s Park Open Air Theatre’s critically acclaimed revival of Evita on the West End. The production went on to receive nominations and wins at The Evening Standard Theatre Awards, the WhatsOnStage Awards, and the Oliviers. After returning to the U.S., Samantha went on to tour with SIX the Musical and made stops at The Citadel Theatre, The Ordway Center for the Performing Arts before landing on Broadway in the early spring of 2020. She has starred in many regional productions including Mimi inRENT, Betsy in Honeymoon in Vegas, Eva Peron in Evita, Jovie in Elf the Musical, and Amber von Tussle in Hairspray, to name a few. In 2018, Samantha joined the first national tour of Jim Steinman’s Bat Out Of Hell as Valkyrie, before an abrupt cancellation. Soon after, she was cast as Katherine Howard in the US premiere of SIX the Musical at Chicago Shakespeare Theatre for which she received a Joseph Jefferson Award. She also tours and performs her solo cabaret An Evening with Samantha Pauly, and has performed in NYC, LA, Chicago, and more. Samantha’s TV credits include: Chicago PD (NBC), and ads for Mike’s Hard Lemonade, Purina, and T-Mobile. Since her journey with SIX began, Samantha has also been seen and reviewed in The New York Times, Vogue Magazine, The New York Post, The Associated Press, andthe Washington Post.

Kara Lindsay / Acting

KARA LINDSAY Broadway: Wicked (Glinda), Beautiful (Cynthia Weil), Newsies (Katherine Plumber) Original Cast/ Fathom Events Film, Once Upon a Mattress (Winnifred Standby for Sutton Foster). National Tour: Wicked (Glinda), Little House on the Prairie (originated role of Laura). Paper Mill Playhouse: Newsies, Jolly Holiday, Little House…Prairie. Sacramento Music Circus: Singin in the Rain (Kathy Selden). NCT: Mary Poppins (Mary Poppins). Kansas City Starlight: Cinderella (Cinderella). Kansas City Rep: Cabaret (Sally Bowles). 5th Avenue: Lone Star Love (Miss Ann Page). Geva: A Christmas Carol(Belle). Film: Wicked Movie Part One ensemble vocals. TV: “Murphy Brown”, ABC’s “Schoolhouse Rock! 50th Anniversary Singalong”, ABC’s “The Disney Family Singalong: Volume II”, Tony Awards, Macy’s Thanksgiving Day Parade. BFA Carnegie Mellon University. Huge thanks and LOVE to my family and to Stewart Talent/ Amplified. @karalindsay1

Maggie Spanuello / Casting

MAGGIE SPANUELLO (she/her/hers) works at Gray Talent Group as an Associate Agent on the Chicago On-Camera and Voiceover team after working as a director and music theatre educator for ten years in Chicago, Off-Broadway, regionally, and internationally. Selected credits include work at Chicago Shakespeare Theatre, Windy City Playhouse, Milwaukee Repertory Theatre, Brightside Theatre, and Hope Summer Repertory. She was the Associate Director on the award-winning Off-Broadway Production of THE WOMAN IN BLACK (“Best Play Revival”-Off-Broadway Alliance Awards, “Critic’s Pick”-NY Times) and the US Tour (Royal George Theatre, Cleveland Play House, Pasadena Playhouse, Seattle Rep, American Conservatory Theatre) directed by Robin Herford.

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JULY 28 - AUGUST 1, 2025

Check availability

IMPACT is popular and fills up fast! You'll be forwarded to the registration form to grab your spot.