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Same Programming, New Name! Academy of the Arts is now Illinois Conservatory for the Arts

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Velvet Social: For The Dreamers

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IMPACT: Musical Theatre

Session 2: August 5-9

A brand-new show based on the life of entrepreneur Joy Mangano will have its world premiere on December 7th. Opening at the New Brunswick Performing Arts Center in New Jersey, Joy the Musical will feature none other than Mean Girls actress Erika Henningsen in the title role. With a cast including several Broadway alums, this definitely looks like the show to watch.

The uplifting true story is about one woman’s triumphant climb from divorce to single motherhood and bankruptcy, to becoming the wildly successful dynamo that all started with the invention of the Miracle Mop. Movie lovers will recall that Jennifer Lawrence played the title role in 2015 earning her an Academy Award nomination and a Golden Globe. Could a Tony be in Erika’s future? Only time will tell.

Erika has a special place in the hearts of Academy of the Arts students. Last July she led a masterclass at our Impact Musical Theater camp and we wish her luck as she brings Joy to theatergoers this winter.

In real life Erika couldn’t be more different to Cady Heron, the character who earned her a Critics Circle nomination when she originated the role in Mean Girls: The Musical on Broadway. Rather than trying to destroy people like the most popular girl in school, Regina George, she loves to build them up by offering master classes around the country.

We asked her how she landed the role and why she loves to teach.

“When I was called back for Mean Girls, I was told they wanted to hear a pop song from Cady, not a song from the show,” she told the enthusiastic class in a Q and A session. “So I thought about what song a girl who was brought up in Africa with parents from the Sixties would pick. Someone sweet, intense and strong so I picked the Rolling Stones Ruby Tuesday and You Don’t Own Me.”

Erika explained that being chosen for a show is like being a puzzle piece.

“All of the Plastics were four inches taller than me, so I looked more vulnerable standing next to them,” she said.

However, today the trend is more like anyone can sing any role.

“Don’t feel bound to certain things because of what you look like,” she said. “There’s more out there for you.”

For Erika, teaching is a labor of love.

“It’s the thing I do in between being an actor and it’s just as much a part of my identity,” she said after class. “It helps me think on my feet and problem solve. It helps me stay alert.”

Erika was impressed not only by the talent in the classroom, but how quickly the students became supportive of one another despite the wide range of age and experience.

“At the end of the day, whether you’re in 12th Grade to college age or first grade to sixth, the basics still apply,” she said. “The incentives may be greater for 12th graders, but sixth graders generally show less fear and they can learn from each other. Everything has to come from joy.”

Erika brings a huge amount of positive energy to the room.

“It’s just about getting them up on their feet,” she explained. She believes the worst thing she could do is to stop a child who is off key or who loses their way in a song.

“If you put ideas in their head they’ll never come back,” she said. “If I only have each one for six minutes, I want to give the most I can out of that experience. If we harp on about what they’re doing wrong or lacking in, they will never build confidence to turn up in class. I always encourage them so they don’t quit before they’ve started.”

session 1 • june 10–14, 2024

session 2 • August 5–9, 2024

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IMPACT is popular and fills up fast! You'll be forwarded to the registration form to grab your spot.

James T. Lane / Dance

West End: The Scottsboro Boys, A Chorus Line – Revival (Palladium Theatre). Broadway: Chicago (Billy Flynn and Amos Hart) Kiss Me, Kate (Paul), King Kong the Musical ,The Scottsboro Boys (Ozie Powell/Ruby Bates), Chicago and A Chorus Line (Richie Walters). Tours: Jersey Boys, Cinderella, Fame the Musical. Regional Theatre: Guys and Dolls ( Nicely Nicely) Virginia Stage Company, Mary Poppins (Bert) Aint’t Misbehavin ,Drury Lane Theatre, The Wiz (Tin Man), Broadway at Music Circus,The Old Globe, The Little Mermaid (Sebastian) The Muny, A.C.T and Dallas Theatre Center. Encores/Off Center:Promenade,Grand Hotel, Don’t Bother Me, I Can’t Cope Concerts: Carnegie Hall with The New York Pops, Ottawa Symphony and many more. James is the creator of and the 2023 Audelco Award winner for Best Solo Performance for “Triple Threat” that played Off Broadway to great acclaim at Theatre Row in New York City. Mr. Lane teaches music theatre dance when and wherever anyone will let him! Instagram: @jamestlane www.jamestlane.com

Syndee Winters / Voice

Syndee Winters (@syndeewinters) is an American singer, recording artist, and actress. Best known for her role as “Nala.” Syndee’s other credits include lead roles in Motown the Musical, Pippin, Jesus Christ Superstar on NBC, and Hamilton. In 2020, Syndee founded R.O.A.R., a professional development program helping artists hoan their skills, transform their stage presence and navigate the industry. Inspired by the art of storytelling, Syndee’s tours the world with two magical productions. Disney Princess: The Concert and Lessons From A Lady: A Dedication to Lena Horne. Syndee is also an award- winning recording artist and her latest project with GRAMMY® winning producer Ben Williams entitled, “Butterfly Black” is available everywhere now.

Caitlin Kinnunen / Acting

Caitlin Kinnunen Is a Tony nominated actress for her work in THE PROM on Broadway, having originated the role of Emma Nolan. Most recently you can hear her as Juniper on the podcast The Callisto Protocol: Helix Station starring Gwendolyn Christie. Caitlin was nominated for an Audie Award for narrating the audiobook MaryJane, and was handpicked by Judy Blume to narrate her book Forever. Film/TV credits include The Intern, Sweet Little Lies, It’s Kind of a Funny Story, We Need to Talk About Kevin, “Our Ladies” (pilot for The CW), “Suck Hole” (pilot for FX), “Younger”, “American Vandal”, “The Knick”, and “Law & Order: SVU”.

Peter Van Dam / Casting

Peter is the recipient of four Artios Awards for excellence in casting. He joined Tara Rubin Casting in 2018 as a Casting Director, and previously was an associate at Jim Carnahan Casting / Roundabout Theatre Company.

Broadway: The Heart of Rock & Roll, Six, The Phantom of the Opera, Tootsie, Head Over Heels, Angels in America, Farinelli and the King, The Cherry Orchard. National Tours: Six, The Band’s Visit. Off-Broadway/New York: Dead Outlaw (Audible Theater – World Premiere), Pal Joey (New York City Center), Whisper House (The Civilians), Sing Street (New York Theatre Workshop), Something Clean (Roundabout), The Beast in the Jungle (Vineyard). Regional: Summer Stock (Goodspeed – World Premiere), Sing Street, (The Huntington), 42nd Street (Goodspeed), Kismet (Granada Theatre/Santa Barbara Symphony), Chasing Rainbows (Paper Mill Playhouse), Chess (The Kennedy Center), Wonderful Town (LA Opera). Canada: Beaches, Six, The Louder We Get. West End: Cat on a Hot Tin Roof, Nice Fish. Benefits: I’m Still Here (New York Public Library for the Performing Arts), Julie Halston’s Broadway Belts for PFF, Thoroughly Modern Millie (The Actors Fund).

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