Naperville, IL

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A Night of Broadway

Friday, February 21, 2025

Tricky Performance a Treat for Halloween

A magical experience became positively spell binding this Halloween when Academy of the Arts students participated in a unique dramatic performance. A jar of screams, a poison apple and weeks of thorough preparation helped them to pull off some challenging performances at Naper Settlement’s All Hallows Eve.

The annual two-night family friendly Halloween scare attracted over 5,000 people. Instead of doing one performance per night like most shows, our young cast had to replay a five-minute vignette up to 30 times a night!

In a play written especially for them, they presented Hansel and Gretel: A Twisted Fairytale. Audience members were certainly surprised when Little Red Riding Hood entered with the Big Bad Wolf, and the wicked queen from Snow White helped the witch cast a dastardly spell.

Instead of the regular theater spaces they’re used to, the actors were only inches away from the ever-changing audience in an historic carriage house.

The performance was the culmination of our first after school program, The Studio, which in addition to acting and improv classes, offers music and dance. Our acting and improvisation teachers worked together to prepare the students.

Professional actress and teacher Jocelyn Adamski said: “It’s challenging anytime you are in a space in which the audience is so close, it can be very distracting. The students learned that audiences can vary.  They learned that no matter the reaction, whether an audience is loud or unresponsive, to keep going and to take pride in the good work they are doing.  The students learned to focus on their performance, and not to judge their work based on audience reaction.  I’m immensely proud of the students and the great work they did at this event.”

Improv isn’t just about playing games. Teacher Richard Oberbruner prepared the young cast for just about anything.

“From an improv perspective, performing inside a dimly lit old barn, with a small audience right in front of you is as spontaneous a setting as there is,” he said. “Every move, every sound an actor makes is seen and heard. Our actors had to be-in-the-moment throughout the vignette however many times they performed it that evening. Our improv rehearsals reinforced a loose focus – stick to the script but have fun with it. Also, our rehearsal space was similar in size to the show space. Blocking all of our movements ahead of time added to the actor’s comfort level within the old barn setting.”

He added that the additional element of experimentation helped to create livelier more believable characters, not easy when you’re telling a fairy story!

Twelve-year-old Maya Meschi felt she learned a lot playing Gretel, the nervous little girl who starts out terrified but ultimately saves the day by trying to use the wicked queen’s wand against her.

“I’ve done some performances before, like with Brightside Theatre at Meiley-Swallow Hall in January but you aren’t as close to the audience,” she said. “I thought this was very cool because you don’t usually see how the audience reacts. It was challenging but once I got into the hang of doing it, it was cool to see it from the beginning to the end. Rehearsals prepared us well with blocking and learning lines. One useful tip Miss Jocelyn gave us was to go home and practice facial expressions in front of a mirror. That piece of advice stuck with me. It was also fun working in a small group where everyone is so nice in a positive environment.”

For Anna Grigorie, 14, working with the Academy has helped her decide to follow acting as a future career.

“I’ve taken part in other theater programs out of school, but the Academy has enforced that I want to become an actress even stronger,” she said.

Anna says she loved her role as the witch.

“Usually I perform further away from the audience so at first it was a little bit different,” she said. “It became a little more intimidating, but I learned how to carry on staying in character. I did enjoy it though. I felt pretty well prepared by our acting lessons. I’ve played a witch before, so I already had some accents and picked the one I liked best.”

Anna’s excited to use her costume, and her favorite accent, when she goes trick or treating this year.

If you’d like to find out more about The Studio, visit illinoisartsacademy.org/studio.

JULY 28 - AUGUST 1, 2025

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IMPACT is popular and fills up fast! You'll be forwarded to the registration form to grab your spot.

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Justice Moore / Dance

JUSTICE MOORE is a New York based performer and choreographer. Growing up in Dallas, Texas, she trained in all styles at Next Step Dance Performing Arts Center. Upon graduating from Allen High School, she had the amazing opportunity to open Hamilton in Chicago as ‘The Bullet.’ She then went on to open the second national tour of the show and join the Broadway production. Moore had the honor to work on projects by Keone and Mari Madrid such as Once Upon a One More Time on Broadway and The Karate Kid: The Musical in St. Louis. She worked on seasons four and five of “The Marvelous Mrs. Maisel” with choreographer Marguerite Derricks. She made her movie debut in Disney+’ Better Nate Than Ever, directed by Tim Federle and choreographed by Zach Woodlee, and her television choreographic debut in CBS’ “East New York.” She was the associate choreographer for London’s Fangirls (under Ebony Williams) and New York City Center’s production of Jelly’s Last Jam (under Edgar Godineaux). Never limiting herself to one side of the dance industry, she continues to keep expanding her community, training, and possibilities. She performed with Doja Cat for MTV’s VMAs, Tyla for “The Late Show with Stephen Colbert,” and Stray Kids for the 2024 Youtube Brandcast. She is currently in Broadway’s Sunset Boulevard starring Nicole Scherzinger. Moore has captivated audiences online and off through her story telling, choreography, and comedy. She hopes to continue exploring the many ways dance and storytelling can connect with humans of all avenues. Instagram: @justicemoore_.

Samantha Pauly / Voice

Samantha Pauly is a Grammy nominated and Drama Desk Award winning actress best known for originating the role of Katherine Howard in SIX the Musical on Broadway. She was most recently seen starring as Jordan Baker in the premiere of The Great Gatsby at Papermill Playhouse. In the summer of 2019, Samantha was hand picked by Andrew Lloyd Webber and Jamie Lloyd to play Eva Peron in Regent’s Park Open Air Theatre’s critically acclaimed revival of Evita on the West End. The production went on to receive nominations and wins at The Evening Standard Theatre Awards, the WhatsOnStage Awards, and the Oliviers. After returning to the U.S., Samantha went on to tour with SIX the Musical and made stops at The Citadel Theatre, The Ordway Center for the Performing Arts before landing on Broadway in the early spring of 2020. She has starred in many regional productions including Mimi inRENT, Betsy in Honeymoon in Vegas, Eva Peron in Evita, Jovie in Elf the Musical, and Amber von Tussle in Hairspray, to name a few. In 2018, Samantha joined the first national tour of Jim Steinman’s Bat Out Of Hell as Valkyrie, before an abrupt cancellation. Soon after, she was cast as Katherine Howard in the US premiere of SIX the Musical at Chicago Shakespeare Theatre for which she received a Joseph Jefferson Award. She also tours and performs her solo cabaret An Evening with Samantha Pauly, and has performed in NYC, LA, Chicago, and more. Samantha’s TV credits include: Chicago PD (NBC), and ads for Mike’s Hard Lemonade, Purina, and T-Mobile. Since her journey with SIX began, Samantha has also been seen and reviewed in The New York Times, Vogue Magazine, The New York Post, The Associated Press, andthe Washington Post.

Kara Lindsay / Acting

KARA LINDSAY Broadway: Wicked (Glinda), Beautiful (Cynthia Weil), Newsies (Katherine Plumber) Original Cast/ Fathom Events Film, Once Upon a Mattress (Winnifred Standby for Sutton Foster). National Tour: Wicked (Glinda), Little House on the Prairie (originated role of Laura). Paper Mill Playhouse: Newsies, Jolly Holiday, Little House…Prairie. Sacramento Music Circus: Singin in the Rain (Kathy Selden). NCT: Mary Poppins (Mary Poppins). Kansas City Starlight: Cinderella (Cinderella). Kansas City Rep: Cabaret (Sally Bowles). 5th Avenue: Lone Star Love (Miss Ann Page). Geva: A Christmas Carol(Belle). Film: Wicked Movie Part One ensemble vocals. TV: “Murphy Brown”, ABC’s “Schoolhouse Rock! 50th Anniversary Singalong”, ABC’s “The Disney Family Singalong: Volume II”, Tony Awards, Macy’s Thanksgiving Day Parade. BFA Carnegie Mellon University. Huge thanks and LOVE to my family and to Stewart Talent/ Amplified. @karalindsay1

Maggie Spanuello / Casting

MAGGIE SPANUELLO (she/her/hers) works at Gray Talent Group as an Associate Agent on the Chicago On-Camera and Voiceover team after working as a director and music theatre educator for ten years in Chicago, Off-Broadway, regionally, and internationally. Selected credits include work at Chicago Shakespeare Theatre, Windy City Playhouse, Milwaukee Repertory Theatre, Brightside Theatre, and Hope Summer Repertory. She was the Associate Director on the award-winning Off-Broadway Production of THE WOMAN IN BLACK (“Best Play Revival”-Off-Broadway Alliance Awards, “Critic’s Pick”-NY Times) and the US Tour (Royal George Theatre, Cleveland Play House, Pasadena Playhouse, Seattle Rep, American Conservatory Theatre) directed by Robin Herford.

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JULY 28 - AUGUST 1, 2025

Check availability

IMPACT is popular and fills up fast! You'll be forwarded to the registration form to grab your spot.